From the road.

It isn't always easy being on tour. In fact, it's probably the least easy thing.  There's a heck of a lot of traveling, a lot of catching up with schedules, a lot of coordinating, a lot of meeting strangers, and then there's that snippet of time when you get to do that thing that you love to do, for about an hour or so, when it becomes wonderful.  But once in a while, there are shows that don't turn out wonderful (not so on this tour so far, I'm happy to report). I find myself surprised sometimes that I can still do this, even when it's not easy, when I'm running on a few hours of sleep and lots of caffeine; I'm missing "real" food and people I know. Last night I played a show here in Syracuse, and I had had a really long drive from Boston. I'm not sure how I had the ability to smile, chat, and socialize with the Le Moyne students after the late-night show (they were super funny and relaxed, which helped).


I thought about that this morning, and since it's Sunday and I'm craving my spiritual pick-me-up since I couldn't make it to my family church in Queens, I read some devotionals and came upon this verse, one I've read before but rings fairly true now:

12 Not that I have already obtained this or have already reached the goal;g but I press on to make it my own, because Christ Jesus has made me his own. 13 Beloved,h I do not consider that I have made it my own;i but this one thing I do: forgetting what lies behind and straining forward to what lies ahead... (Philippians 3)

Thinking about this verse, I get very overwhelmed by grace that allows me to continue what I do, even if it's not easy. Somehow, there's a love for music that was placed in my heart, and I feel close to it, even if it's full of struggles - on tour and off tour - and it's a big part of who I am. So, I guess the question I wrestle with is what the main purpose of this is. Sure, it's therapeutic, it's fun to sing about things I write, but how can my music effect bigger change? Is that even what it's meant for? Off I go to live that question...

Music Connection / Kacey Musgraves love / FilmOn TV

I see-saw over whether or not to divulge details of my non-artist/songwriter life on this blog, but ultimately have decided that I wouldn't feel right withholding the facts. So, I guess you should know that I teach music once a week at a preschool in Walnut, CA. I really love it, even if it means being out there from 9:30 to 5:30 with just a 45-minute break.  I teach 5 classes and 9 private voice students. All that time, I am in awe of how open and enthusiastic young kids are, how viscerally music affects them, and how my heart melts a little when they call my name excitedly (I'm "Miss Alfa" to them).  Once in a while, like today, I'll get reports from a student or teacher who has stumbled on my videos on YouTube. The reaction usually hovers around fascinated-shocked-amused on the general reaction scale.

Anyway, since I was out there today, I wasn't exactly plastered to my phone and therefore was a little slow on the uptake: Music Connection Magazine, which had critiqued "World Go Blue" last month 8.0 out of 10, wrote a bit about my recent endorsement with Kawai, and NAMM, and Walden.  Of course, I thought this was pretty rad. It's crazy to think of everything that's happened since "World Go Blue" was released just a little over a year ago.  You can see the whole link here, and screen shot is below.

In other news, I've been falling in love with Kacey Musgraves' album. I remember driving through Iowa, Missouri and Tennessee last year and hearing "Merry Go Round" constantly on the radio. I thought the song was really great - still country, but with a melancholic, introspective touch any folk-influenced writer can appreciate. I got around to hearing the rest of it, and wow.  I wish the best for her - the album is extremely well-written and sophisticated in its production (what I mean by this is that it's not overproduced, but exercises brevity in instrumentation and arrangement). Her voice isn't standout - she's no Allison Krauss or Kelly Clarkson - but she works what she has, and what has materialized is a well-crafted album with great lyrics, melodies that sneak up on you when least expected, and great vocal delivery. Some of my favorites: "Merry Go Round," "Step Off," "Follow Your Arrow," "My House." Turns out that Marc Lacuesta, who produced my record, lives a few blocks on the same street, and has spoken to her at various Nashville parties.  This is right around the time I fight the urge to buy a plane ticket to go out there...  Anyway, check her album out - I have been Spotifying it on a daily basis.

I also did a TV appearance yesterday with FilmOn TV. Guess who hosted the show?  None other than Kato Kaelin, of OJ Simpson trial fame. He was way sweet, though, and not too slathered in L.A. sheen, believe it or not.  The show has an interactive chat feature that goes on-screen simultaneously with the show. This made for some laughs and awkward moments. Apparently it's a popular primetime station in U.K., so shoutout to the folks out that way.